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If ABC had not been the poorest of the networks, unable to provide daytime programs to its affiliates, Bandstand would never have been born.Ĭlipp contacted Joe Grady and Ed Hurst, the hosts of Philadelphia’s most popular afternoon radio program, The 950 Club on WPEN and offered them a deal to switch over to his station and be on WFIL radio and TV simultaneously. This was also a time of day when ABC didn’t feed any network product to the local stations, leaving WFIL with a time gap to fill locally. Walter Annenberg, who owned WFIL and the Philadelphia Inquirer and TV Guide, asked his station manager, Roger Clipp, in the summer of 1952 to “try a dance program aimed at teenagers.” The show would air immediately after school when kids were home without parental supervision. Horn became a radio personality at Philly’s WIP, then moved to WFIL in 1951 because that station offered more money and because ‘FIL had a sister TV station (part of the ABC network) and Horn hoped for a future on television. He was born Donald Horn in 1916 and grew up in Schuylkill County, Pennsylvania. The Bandstand dancers, on the other hand, were fond of him. One singer who appeared on his show says Horn was “a loud-mouth smart-ass with an appetite for girls.” Other acquaintances use words like arrogant and self-centered. The impression I got of Horn was a free-swinging, hard-drinking man who smoked several packs of cigarettes a day. There’s a dramatic difference between the description of Horn by his adult co-workers and what we hear from his teenage fans. It may not be the secret of my success but it sure as hell kept me out of a lot of trouble.”
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I’ve never been sexually attracted to very young girls. From the start I was also terrified because what had happened to Horn. From the first day, I established the most platonic of friendships with the kids. I talked to the kids on the same intellectual level. His conversation with them was stilted he never associated with them as equals. I always thought Horn did a poor job relating to the kids.
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Most people around the station found him less than charming. Off-camera his personality was abrasive, egotistical and aggressive. “He was a man in his late thirties, was heavyset with a double chin, long, narrow nose and greased-back black hair.
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Clark looked like one of the kids.” (Horn was 40 when he left Bandstand and Clark was a babyfaced 27.) Clark said this about Horn: It became a national institution and Dick Clark a celebrity.Ĭameraman Vince Gasbarro said: “Horn was old-looking. ABC gave Bandstand color cameras and launched it on its network of 67 stations in August of 1957. With Clark, the program became more popular than ever. The sex-with-minors angle was too shocking for public consumption, and the station didn’t dare to reveal it.įortunately for the station, when Horn got in trouble the clean-cut Dick Clark was on staff and able to take over. The sexual relationship, however, was not revealed until later. Horn was arrested for drunk-driving on Jand was suspended from his broadcasts, then was forced to resign. This went on for almost three years, sometimes in a radio studio while Horn’s records were spinning on the air. Soon after the show went on the air, Horn met a 13-year-old girl at the station and they began a sexual relationship. And Bandstand’s history included lurid sex with minors that hasn’t been explored publicly, until now in Part Two of this story. But our Philadelphia program had a history of racial exclusion that was more complex - and more interesting. That had a fictional plot about the racial integration of a 1960s teen television dance program. A similar program later went on the air in Baltimore, and that inspired a John Waters film and the stage musical Hairspray. When the TV show started in 1952, it was simply named Bandstand and aired live every weekday afternoon. And everyone at ABC Television tried to ignore the program’s first years. The station, where I worked at the time, fired him. That becomes understandable when you learn that its original host led a sordid life that included a sexual affair with a teenage girl. But when the program passed its 50th anniversary, there was no commemoration.
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The TV program American Bandstand was an icon in the entertainment industry, and an important driver of popular culture. Published 2003 in TotalTheater, copyright by Steve Cohen. The author worked at three radio and television stations involved in this report.